Het onderzoeksplan: May Abnet

Dit interview is deel van een reeks interviews die gemaakt werden aan de start van Veldwerk III. Ze bieden een blik in de praktijk van de deelnemende kunstenaars en polsen naar de manier waarop ze aan hun onderzoeksproject beginnen. Op deze website kan je ook de rest van hun traject volgen. Hier aan het woord: May Abnet.

My initial attraction to ‘the valley’ was the resemblance between the way water flows down a valley and erodes it and how information masses spread into networks. Like in the case of Mesopotamia, civilisations and written language have historically often sprung in valleys. Today, the valley is central in the imagination of information technology epicentres like the Silicon Valley. I’m interested in how digital technologies shape the world on one hand and how space and geography are intertwined with social dynamics on the other. They meet each other in the figure of the valley, a place that I keep continuously looking for, questioning and re-imagining in this research.

I have a severe Wikipedia addiction. I’m always jumping from hyperlink to hyperlink. Therefore, my research often starts with theory. This time again, I started the year with 6 months of thesis-writing within my study Urban Studies with my friend Camille. In that joint thesis, we researched how digital spaces and technologies influence day to day life: how you eat, sleep, relate or feel... How does this phone in my pocket connecting me to so many other spaces affect my walking on this street? 

Now that this thesis is finished, I will start a practice that I imagine as the shadowside of that research. I want to escape the walls of academia by creating knowledge through interacting with people on a more personal or emotional level. Writing the thesis actually confirmed this necessity: as we merged our brains together thinking about humans and machines, Camille and I developed a beautiful emotional connection. Using the valley as a lens, I’m zooming in specifically at the intersection between technology (tools), language (data/code) and space. As a methodology to reflect on that, I dream of creating some sort of peer-to-peer chain with people close to me, because that’s how digital communities function too. We would create analogue or digital tools, which would circle around through a specific system of contributions. That way, we imagine a different kind of valley: one that embraces technology but isn’t monopolistic or hypercapitalist, but shared and open source. If a valley is a depression in a landscape, I picture us zigzagging down a river between productivity peaks and platforms of rationality. 

I like thinking through images and text, mapping or remixing visual representations, scientific infographics, Internet images, lyrics,... I want to keep this research as open ended as my notion of the valley itself: geological, digital, and imaginary places. I want to embrace this multiplicity and see where it could bring us. The materials that resulted from the co-creative chain will be woven into a subjective essay. It could take many forms like a publication combined with an audio document or something digital, that reports on the tools we developed together. 

I look at the rural through this hybrid concept of the valley. Looking for an actual valley somewhere in Belgium might seem like the obvious first step. But I don’t think that’s my plan. Since I’m thinking of a digital rural, it’s difficult to actually land anywhere because physical and digital space are quite entangled. We’re constantly navigating on and off platforms, connecting us to faraway places. The globalised Digital Age has re-shaped borders, cancelled distances between people and blurred the distinction between the rural and the urban. I find myself looking at landscapes from satellite vision, zooming in and out on the earth ball. There’s a question of perspective: the digital offers a totally different kind of knowledge about places you’ve never been to physically. I’m also interested in how language and code shape the ‘rural’ as well. Turning a space into a place by naming it is a way to possess it. That’s what cartography and other technologies for conquest did originally. And the ‘rural’ today is very much shaped by information technology. For example, by big data centres that are planted in the countryside or digitalised farming.

Through exploring different kinds of valleys, a very unorthodox imagination about the rural comes into being, as a space that is not backwards but highly technological, virtual or even fantasized. I’m currently questioning how I should approach the valley. Should I find a physical one to host a collective tool-making? How extended can a valley be? A specific location? Should I stay at a bird's-eye view? Satellite view? Mind view? More and more, I think this confusion is part of how I want to work and the topics I’m researching.

The valley is also a mental landscape of comfort to me. Recently, I found a 1969 newspaper article depicting my grandfather with the title ‘Valley Man Pursues Ancient Profession’ under a photo where he appears as the ultimate craftsman with a beard and holding a ceramic pot in his big hands. He was a ceramist living in a lush valley in Minnesota in the United States. This so to say ‘simple life’ of a hyper specialized craft in a rural environment couldn’t feel more different from my fast, multitasking, scattered life in a globalised Brussels. From spending time at my grandparents’ wooden house in the past, this environment became a sort of mental refuge I am able to access. This emotional side is also an important aspect of the valley I want to take along in my research.